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The artist’s studio is no longer a sacred place where tools are bespoke to one person, and you’re just left wondering how those marks are made. You can categorize it as digital, but it’s still so analog in terms of it being completely open source and hackable. This is where I think Procreate, with its ability to change your workspace, is perhaps a new revolution in the art world. The act of not just creating a tool or a brush, but to be able to share it too, I think, is an incredible thing - not just for me or my team, but for everyone creating any kind of artwork. I’m a real fan of being able to share what we know, so I thought if we could share that tool amongst everyone who has Procreate among the world, that would be amazing. Then, I have my own pencil that I’ve created - the “Narinder Pencil” that Procreate very kindly added to their platform. The “Narinder Pencil” on Procreate image via Foster + Partners I’ve got a quick menu that I use to enable those guides. With Procreate, that’s been replaced by drawing guides, perspective guides and grids that I can just enable with the flick of a finger. I always used to draw with a mixture of straight lines and freehand lines, so I could speed up or add accuracy wherever I wanted to. I did that by scanning the texture that the pencil created - the actual pencil - and creating a point using the brush maker in Procreate. One of the first things I did on Procreate was try to recreate a 0.9 technical pencil.
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As any architect knows, you have one or two types of pen or pencil that fit into the style of your practice and look good on the drawing board, so for consistency you and your colleagues must use the same kind of pen. That’s amazing! Are there any specific tools on Procreate that you would say are your “go to” tools, or any particular ones that you think are especially useful to architects? I can carry my whole studio in my pocket within one device, which is just unbelievably transformational in my life as an artist. I’m able to create my own pencils, and use pencil or ink, or paint as if I’m using acrylics on Procreate. It’s given me an endless amount of choice and agility in my workflow. I use it sat in my armchair at home and then continue that drawing at work, and wherever I might be. I complete drawings on my commute to work or when I’m flying from one country to another.
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In truth, I still surround myself with pencils and oils and ink and whatever I need around me, but the iPad has become a very powerful tool within our studio.Ĭoncept drawing for Harvard proposal, created on Procreate image via Foster + Partnersįrom a software point of view, Procreate enables me to draw on canvases that are thousands of pixels wide.
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This could be the iPhone, the iPad Mini I have in my blazer, or the iPad Pro that I have with me all the time. You can imagine how powerful being able to carry a digital workspace in my pocket was in my workflow and in our lives as artists. But still, the resolution would be dependent on the original piece of paper that it was drawn on. I would draw at A3, blow them up to A1 and color them by hand, and then they would form part of the presentation to clients. It sounds so simple now, but at the time it was quite revolutionary! Being able to scan a drawing and have it in pixels in Photoshop, and to then be able to paint over the top, really changed the game. So, when it became possible to put a hand sketch from a piece of tracing paper onto the computer, that was very exciting to me.
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Until recently, the digital tools have tended to be very much tied down to the office environment, plugged into the ground and connected to servers and render farms.įor me personally, I’ve always drawn in an analog way growing up, and when I started at Foster + Partners 23 years ago. Those analog tools have always been mobile you can carry everything in your bag wherever you go, whether it be sketchbooks, pencils, charcoals, pens, ink.
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But we’re also surrounded by amazing digital hardware and software. Narinder Sagoo: We’re a team of artists, so we do use very traditional tools - sketch books, paper, canvases, large sheets of tracing paper, watercolors - the tools that we’ve been brought up with. Paul Keskeys: What kinds of tools do you rely on most when developing architectural concepts?
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How to make no face art.Narinder Sagoo with design team members at Foster + Partners’ working on Procreate image via Foster + PartnersĪrchitizer sat down with Sagoo to discuss his use of Procreate, highlighting its game-changing potential and speculating about the future of designing via touchscreen.